Showing posts with label Gear. Show all posts
Showing posts with label Gear. Show all posts

20080215

Creative Ableton Controller

Time + Creativity + Technology = embedded entertainment

Driver's License as Ableton Live MIDI Controller

20080129

Once you go KORG, the ESX gets better

Add this to your wedding list.

20080123

BubbleGum Beats

Creativity + Technology = Bubble Gum Sequencer

Coming to a candy store near you

20070621

How Would Music Change With This Technology

I found this the other day and wondered what if...
http://www.ted.com/talks/view/id/65



A couple musings...

Imagine using an ipod like this...

Scalable virtual DJ mixers...

Making a map of your music collection with conncetions outlined (similar keys, bpm, artist name, record label, etc...

20070515

Vinyl-Mp3 coming to a Turntable Near You

Wired has an interesting article about new ideas that appease the needs of today's multimedia consumers. A U.K. based record label, First World Records, releasing LPs with mp3 codes with links so "buyers can download an unprotected, 320Kbps MP3 version of the music, to use however they like."

My favorite quote of the article comes from First Word co-founder Aly Gillani. He refers to Digital Rights Management encripted content:

"Making a legal, paid-for version
of the file less useful than a copied
or pirated one doesn't make sense."

Saddle Creek also puts out records with mp3 codes.

20070423

Vinyl, CDs, Mp3s

What's the difference?

Vinyl
Pros: Sounds better, many audiophiles say. I think it sounds warmer and is therefore better with analog music (usually older stuff); It is also sexier for some reason. You seem more legitimate playing on vinyl, because it takes a lot more talent to mix and records are harder to find. For a turntablist, any other medium, I believe, is absolutely unacceptable. Some of the most elite underground artists release only on vinyl as well.

Cons: It is a total pain in the ass to be lugging your records with you to a gig. They also wear down with time, and are hard to find. If the speakers are too close, your record will skip.

CD's
Pros: You can burn CDs with custom mixes and playlists. Mixing with good equipment takes skill and is relatively acceptable, though not as much as vinyl in purist crowds. Most of the world's music today is available on CDs. Sound is crystal clear, especially for digital music.

Cons: You still have to lug around a large CD case if you want to bring some variety to the table. Piracy is rampant on CDs as well. Really good mixing equipment can be expensive as well. CDJ-1000's, an industry standard, will set you back $1,200 EACH.

MP3s
Pros: You can fit whole bunch of these babies in your jump-drive, I-pod, or even cd's you burn. I have DJ buddies that email their favorite mixing songs to their gmail account and burn them wherever they are for a quick mix as well. The quality can potentially be very good. A 300 CD carrying case could potentially hold over 30,000 tracks in good quality.

Cons: How much respect will you get by spinning with 2 ipods and a dingy little mixer at a huge party? Its almost cheating, and not very sexy, except to maybe apple-worms. It kind of ruins the experience to go to a club, shell out $20 to get in, hear a $50,000 speaker system, and have some kid with ipods playing.


There are some exceptions and bridges to the vinyl, CD, mp3 gap. My favorite is a pair of Gemini CDT-05 hybrid turntables that play records, cds (that one can scratch with vinyl interface), and play mp3 cds.

You can also use something like Serato Scratch Live or Stanton's Final Scratch, computer programs that sync up with your turntables through coded records.

In the end it is how you mix,
not what you mix with.
But, you must remember to respect
tradition and reach for innovation.

20070222

Hybrid Birthday

I bought a pair of Gemini CDT-05 hybrid turntables at http://www.123dj.com/. I hope I didn't waste my money on my B-day advance. I will have a proper review here after a couple dozen hours worth of tinkering.

Cloud Nine